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Rieux gives little thought to the strange behavior of the rats in Oran. One morning, he finds three on his landing, each animal lying inert with a rosette of fresh blood spreading from its nostrils.
The concierge grumbles at having to clean up the rats, but Rieux is a busy doctor and just then he has personal cares.
Madame Rieux is leaving Oran. She suffers from a lingering illness, and Rieux thinks that a sanatorium in a different town might do her good. His mother is to keep house for him while his wife is absent. The doctor is also being bothered by Raymond Rambert, a persistent journalist, who wants to do a story for his metropolitan paper on living conditions among the workers in Oran.
Rieux refuses to help him, for he knows that an honest report will be censored. Day by day the number of dead rats increases in the city. After a time, trucks come by each morning to carry them away.
People step on the furry dead bodies when they walk in the dark. By making telephone inquiries, he learns that his colleagues are getting similar cases.
The prefect is averse to taking any action because he does not want to alarm the population. Only one doctor is convinced that the sickness is bubonic plague; the others reserve judgment. When the deaths rise to thirty a day, however, even the town officials get worried.
When a telegram instructs the prefect to take drastic measures, the news spreads like wild fire: Oran is in the grip of the plague.
Rieux is called to the apartment of someone named Cottard, who has tried to hang himself. Rieux is interested in Cottard, who seems rather an eccentric person. Grand, too, is a strange man. For many years, he has been a temporary clerk, overlooked in his minor post, whom a succession of bureaucrats keep on without investigating his status.
Grand has been too timid to call attention to the injustice of his position. In the evenings he works hard on a novel he is writing, from which he seems to derive much solace.
Rieux is surprised when he sees the work. In all of those years, Grand has only the first sentence of his novel finished, and he is still revising it.
He has once been married to Jeanne, but she had left him. Jean Tarrou is an engaging fellow, a political agitator concerned with governmental upheavals over the whole continent. He keeps a meticulous diary of the ravages and sorrows of the plague.
After having been an The entire section is 1, words.Jean Tarrou - Jean Tarrou is the author of the account that Dr.
Rieux uses to give greater texture to his chronicle of the benjaminpohle.com is vacationing in Oran when the epidemic requires a total quarantine of the city.
As an outsider, his observations on Oran society are more objective than those of a citizen of the city. Camus will later develop the theme of the impossibility of true communication through language, but Rieux still seeks to convey objective truth by writing a detached, journalistic chronicle of the plague.
Dr. Bernard Rieux The surgeon — narrator of The Plague.. Jean Tarrou The best friend of benjaminpohle.com notebooks are used as part of the chronicle. Father Paneloux A priest in Oran.. Raymond Rambert A Paris journalist trapped in Oran.. Joseph Grand A petty official, also a writer.. Cottard A criminal who hides from arrest in Oran..
M. Michel A concierge, the . The Stranger Homework Help Questions. What are the major themes of The Stranger by Albert Camus? One of the themes of The Stranger is human alienation from oneself, each other, and from society as.
Analysis The Plague Albert Camus English Literature Essay.
Print Reference this. Disclaimer: This work has been submitted by a student. This is not an example of the work written by our professional academic writers. You can view samples of . between, in our lives, but to represent so mixed a truth in your novel you must be an. TIME AND ETHICS IN ALBERT CAMUS'S THE PLAGUE of The Plague.
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